Monday, 3 March 2014

The mountain film fest reviews



Am awfully overdue with the commentary on the mountaineering movies I’ve been watching this past week. Pretty much all of them were excellent, though I liked some a lot more than the others. My favourite was the one about hammy the hamster, the best one done was the first and the worst was, ironically, the last one I saw, as it seemed to be done by a retarded rich Canadian moron, whose idea of a good story was half an hour of whining in tandem with an equally retarded African native and then a glide. That said, it was a surprisingly well portrayal of the country.

Okay, here goes. 


The Gauri Shankar expedition
This wasn’t a movie, it was a retelling of the story of a local climbing party which took on at the time considered the tallest mountain. This quickly taught me that when men see something very large and beautiful, they must either sink it or crawl on top. As I have no conquest tendencies and am usually only interested in either food, sex, photos or lore, I made due taking pictures of the reunion and admitting the fact most brought home their toes. Gauri Shankar is a very pretty and fairly bloodthirsty mountain, such as they all are. Later movies will show, however, that where you find difficult, painful places, you probably find crazy white men trying to pitch a tent there. 

Vanishing Point (missed it.)

 Petzl Rocktrip Argentina
This one in my opinion was the one best made – it had colour, music, story, comedy, acting, magnificent footage and it actually made sense to people who don’t happen to be eager climbers. I couldn’t fucking care less about it, as I couldn’t care less about wind surfing, base jumping or … I dunno.. sand heading. Whatever. Large numbers of devoted folk do seem to care, though, and to them it’s like a rocky Woodstock. They act cheerful, fit young people, determined to do sporty stuff without any boundaries or any political bullshit. Respect. 

Wide Boyz
This one was also really good. I thought. It was more about how elderly climbers piss and shit on two young foreigners, but the climb was majestic. These two kids, Pete and Tom, as English as can be, white and middle class and all that, built their training room in one of their basements, imitating off-width routes – the climbing problems known as the tricky width, because it is too wide for the fist and too narrow for the body – so neither cracks or chimneys. They worked their way to a really nasty crack which has never been done by anybody and when they did it, everyone else gave them the stink, jealous old farts. 

Here is a really good photo cover vy Alex Ekins

The pillar (Or column?)
A Slovenian feature movie about the man who finally managed to solo a hard route up … dunno, some mountain, probably ThreeHead, Slovenia tallest peak. This was mostly a political movie, because all the inner turmoils of the characters had something to do with either war, job or party allegiance. It was a nice movie, well acted, nicely shot, a little over-dramatised. Though the guy’s description of his final ascend was poetry.


Spice Girl
This one was my favourite. Not because it was about a girl – far from it, as I have nothing in common with someone like that, but because I liked how she was portrayed. Her dad, who trained and inspired her, was also someone who really liked her and would call her Hammy the Hamster, saying her face was so wide when she was little and chubby (hence Ham-my, her name being Hazel), you could see her smile from behind. The first part of the movie is the two of them conquering the E9 cliff, mastering the crumbling rock – which looks pretty much like a glass wall. When you first see that cliff you think – you must be fucking kidding… But she does it and the next part is a climb she does with a friend in Morocco. The movie is made very realistically without trying to be hysterically cinematic and bullshitty.

The Climbing Shepherd
Another well done one, about a Welsh lad that is doing work on his uncle’s farm, raising his own tiny flock with his young wife, all the while drawn to his other great passion – hard ascends. Some sheep die, but the movie is lovely. I have no idea what language they are speaking. (Welsh, obviously, but it sounds really unrelated to the Indo-European pool, so it sounds like secret chant to me…)

The eagles return
In this one, shot masterfully, you meet people trying to repopulate the white-tail eagles back into Ireland. They tell you all predators have been extinct (in fact they tell you this about thirty-seven  times) and that Norway has granted them access to 20 chicks. So they have to climb into the high nests and weight the little buggers – and when I say little I mean they were bigger than men if they opened their wing, but they can’t open their wings yet, so it’s okay.)  Then they tell you one more time all of the eagles were extinct and are now slowly and surely working to repopulate them.

In the footsteps of the snow leopard
was the one I didn’t get.. I missed the first few minutes, but then again I miss the first few minutes of all of them, and there was this Mongolian man, in a tiny camouflage tent, stalking an irbis, a.k.a. a big fat cat with a long tail that resides in highlands, a snow leopard. He does this for about 54 minutes and I simply never got what he wanted from it. Did he want to see it (cause he did), observe, hunt, eat, stuff, photograph or tag it… Nothing much of any of this happened. There were just okay, not really great sequences of irbis doing nothing. Even worse, before anything happened, an annoying Belgium guy kept announcing it. (He was some famous film maker/photographer, but as footage goes, this was not at all impressive.) All the time. Now an irbis will come down the cliff. Now an irbis will look around. Now an irbis will go up the cliff. Now an irbis will make three steps to the left. Basaan will be watching this – cue shot of Basaan’s eyes watching from the tent. It’s okay, Belgian dude. We get it.

One thing I did observe, though – I mean besides the overwhelming beauty of remote plains and deserts…. That we, the white civilisation, the western progress oriented society, are so often told we are such bad people, so out of tune with nature … and yet ALL the time you can see the most secluded of traditional nomads, hunters, shepherds, fishermen, whatever, using modern tents, modern clothes, modern hot water bottles, modern weaponry …



North from the sun
Awwww, this one sooo reminded me of Maggie, my sister’s ex. This is about two guys who move to the shitway removed bay up in some arctic isle, up on the twilight north to clear it off all the garbage the tides bring in. They makeshift a hut and use anything the poor Pompeii-like beach has to offer: tons and tons of terrible uncomposable waste. To keep up the morale, they surf in the zero degrees waters or climb up and skate down the perfect slopes – unlikely anyone will ever do that right there ever again… This was excellently shot and it gave a strong moral.

The boy who flies
This was the only one I thought was really bad. I mean, the speaking part was bad - the footage was wonderful. One day a rich kid decides he will go to the middle of Africa (because no one flies there and yet getting a glide shoot isn’t that difficult), adopt a native young to train him into a motivational speaker, battling poverty and depressing things of Africa, like living without paved roads or being completely black all the time. He is offended most of the time that people consider him to be rich and white and not the messiah he actually is, a godwful mentor in paragliding as he never once demonstrated how that shit is actually done and aloof as only rich white people who have never had to work a day in their life can be. Meanwhile, his black companion is whining, peddling behind him, in search of the only mountain in the entire continent. Once they ascend and then glide down, they are called Jesus.

Regretfully, I haven’t seen the Leni Riefenstahl as actress retrospective, but it’s on my to do list. I am oddly drawn to that lady. She gave good interviews.

Feeling bad about feeling bad



The other day a play made me think about political correctness towards the disabled folk. You know, the handi-can!-ed. I’ve long stopped offering the elderly a seat on the train or the bus, because they usually react really badly, telling me off and getting really offended. Problem is, these days it is so popular to have a disability, being polite and helpful is usually met with disdain. As if – why are you treating me like I need your help? How are you supposed to act, if at all, towards someone who is clearly special needs? Are you allowed to help a blind person across the street or will they push you away? Can you make room for a person in a chair or will they give you a dirty look for patronizing them? If a little person can’t reach a shelf and you offer to help, is that considered mocking them? If a mute is making an effort, but getting nowhere, is offering to help or to lend them a pen and paper obviously condescending or is it trying to solve a tiny problem? So, being respectful and helpful towards someone’s disability – that’s the latest no-no, isn’t it?

Sunday, 2 March 2014

Watching Xena and doodling around with the backstage pictures... It's a massively annoying intricate work, syncing the videos with the original song... without a clapper. Mental note to get myself a clapper... possibly an app version, as I really don't feel like adding more junk to my bag...










The last 12 hrs..





Making of the video for Fajercajg band (Tinka's hubbs band).. Again, there is sooooo much material and the song is only 3 and half minutes long. Making the video certainly is a lot more fun than editing it, as it all pretty much feels like a triage job.
Last night I shot a party, dressed into a Bollywood actress.. I wore so much make-up, I literally stuck to the camera with my cheek, leaving greasy patches of foundation on the display. There was just no way to clear my eyes of the make up by morning, so I watched Saving Mr. Banks and wept like a five-year old to purge the eyeballs as the last resort. It helped somewhat. We shot in a dance studio, using backlight and a projection as a front light. The band rotated to make a comical display of inability to use instruments when out of their comfort zone. Like I said, plenty material ensued: D
Off to lunch with my parents, which I haven't seen since the literary eve. I wanna test the recording device on dad, luring him to tell me stories I can use for his biography … Yes, he is STILL playing hard to get.  

Some pickies from last night costume party: 
The theme was Hollywood..

The staff of Metropol rocked it!

I forgot to nominate these two - I hope they won!
Salt and Pepper :D So cute!
 



Saturday, 1 March 2014

"This is how you are"

(Or, as said in the language used: Taksi)




Just came from the theater (and I've forgotten how much I like it), which I liked a lot. Perhaps not many others did, but it's the comedy season and I know this author, so I am able to lower my expectations. Once over the clichĂŠs, limited material, total disregard for being a creature of culture and making people laugh with really obvious strokes.. I thought it was pretty funny. Not familiar with either of the actors (one man played a taxi driver and a boy played about 8 different passengers), probably because I don’t watch TV, their acting impressed me, as did the minimal use of props and sound to the maximum effect. I thought that the makers of this show understood the stage completely and could milk it to their best advantage. Also there were moment of pause which were hilarious – like the sweatpants wearing ‘revolutionary’ standing on the ‘car’ with V sign up… That was so silly :D The scene with the mute boy was also funny, if really not polite, and although it could have been done deeper, so was the scene with the young priest. The only real story took place between the taxi driver and a stalking transvestite which turns out to be his abandoned son. Unfortunately there was a lot of shouting and screaming (and it seems it’s a new normal to wear microphones, so it gets really loud) and I couldn’t hear much of the ‘angry’ dialogues. It’s fun to debate these things with the General, because he pays attention to completely different things and we come home with two completely different shows.. :D
Mental note: definitely must work in a theater at least once, although I really want to do a musical, not a drama.